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Is taxi driver psychological?

Taxi Driver is a 1976 American neo-noir psychological thriller film directed by Martin Scorsese, written by Paul Schrader, and starring Robert De Niro, Jodie Foster, Cybill Shepherd, Harvey Keitel, Peter Boyle, Leonard Harris, and Albert Brooks.



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Travis Bickle (Robert DeNiro), age 26, is Taxi Driver's lonely, alienated “hero.” Yes, he's a Vietnam War vet, ex-marine, and likely has his share of PTSD. But, his problems stem from something much deeper than war trauma. He must have suffered some kind of childhood trauma, to be sure.

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Taxi Driver is a film about frustrated masculinity. Although Scorsese's films are usually being associated with male power and gangster world, it may often relate to a frustrated and fragile male rather than a truly masculine and powerful one.

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Taxi Driver is a classic, but it is quite dark and depressing. The movies revolves around Travis saving a 13 year old girl that is a prostitute from a pimp. Swear words are constant throughout the entire movie.. The F bomb is said dozens of times, the C word is used once or twice.

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He hates the thugs and filth he sees on the streets while he drives yet he frequents porno theaters and his apartment is constantly a mess. He has a moral compass but again he suffers from insomnia, social awkwardness, and PTSD to a certain extent which leads him to the infamous shootout sequence.

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Those with schizotypal personality disorder tend to feel uncomfortable and have a difficult time in social circumstances, although they may still be friendly towards others. In the film Taxi Driver, Robert De Niro's character Travis Bickle seems to be suffering from this disorder.

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Travis Bickle (Robert DeNiro), age 26, is Taxi Driver's lonely, alienated ?hero.? Yes, he's a Vietnam War vet, ex-marine, and likely has his share of PTSD. But, his problems stem from something much deeper than war trauma. He must have suffered some kind of childhood trauma, to be sure.

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Scorsese injects a real understanding of the place and a real sense of foreboding into even the earliest scenes. He inserts clever and meaningful shots into scenes that other directors might just have filmed straight and his choice of scene and shot compliments the script is depicting Travis descending into madness.

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