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Why did Travis give a fake name in Taxi Driver?

Job Title: Travis is a taxi driver. Joisey: Travis gives a fake name and address in New Jersey to a Secret Service agent after being promised forms to join the Secret Service, since he knows that's not the real reason the agent wants his address.



In Martin Scorsese's 1976 film Taxi Driver, Travis Bickle (played by Robert De Niro) gives a fake name—specifically "Henry Krinkle"—when he is being interviewed by the Secret Service or when he is attempting to buy illegal weapons. This act serves as a profound psychological indicator of Travis's increasing alienation and detachment from reality. Throughout the film, Travis is a man without a true identity, a war veteran struggling with severe PTSD and social isolation in a decaying New York City. By adopting a pseudonym, Travis is essentially attempting to "erase" his real self and reinvent himself as a righteous, vigilante "hero" who is above the law. The name "Henry Krinkle" also highlights his awkwardness and lack of social grace; it sounds intentionally banal and forgettable, much like Travis himself feels in the eyes of the world. Giving a fake name is a key step in his transformation into a political assassin, as it allows him to hide his true intentions and his growing mental instability from the authorities while he descends further into his self-destructive and violent delusions of grandeur.

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Those with schizotypal personality disorder tend to feel uncomfortable and have a difficult time in social circumstances, although they may still be friendly towards others. In the film Taxi Driver, Robert De Niro's character Travis Bickle seems to be suffering from this disorder.

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The last shot of Bickle looking at his car mirror is a direct mirror of the film's opening. Thus, the film eventually becomes one whole loop that never truly ends. This can be interpreted as Bickle eventually returning to the paranoia and restlessness we have watched him experience throughout the first viewing.

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Scorsese injects a real understanding of the place and a real sense of foreboding into even the earliest scenes. He inserts clever and meaningful shots into scenes that other directors might just have filmed straight and his choice of scene and shot compliments the script is depicting Travis descending into madness.

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In another example of constant comparison, Pacino was offered the role of Travis Bickle before De Niro in Scorsese's classic film Taxi Driver. Along with Pacino, Dustin Hoffman also rejected the role, publicly turning down the offer before De Niro was roped in to play what now seems to be an iconic character.

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He wants to save Iris from the life she's living, and send her back to her parents, or at least somewhere safe. Yup: The character of Iris shows the audience that Travis can act like a decent human being—even though he's nuttier than a fruitcake, his desire to protect Iris seems to come from a noble, nurturing place.

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